Trans(T*)DisCity: From Research to Transfer
is a year-long artistic research programme investigating visibility, observation, and surveillance as conditions of contemporary cultural practice:
how surveillance systems fix identities—professionally and mythologically.
Through
Rather than treating hybridity as a thematic conclusion, the project makes it visible through shared authorship, non-hierarchical collaboration, role rotation within the team, and participatory formats where audiences also shift between modes of engagement.
It questions how cultural workers are forced into single categories (artist OR administrator) and how mythological figures are frozen into singular narratives (goddess OR empress), when both survival and meaning-making demand fluidity, not rigid categorization.
Philosophically: Psychology, religion, monarchy—all claim to “see deeply,” create rituals of visibility (confession, court presentation), punish non-conformity. Modern surveillance inherits these structures.
